The Art of Sandra Scott-Revelle

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The Black History Collection

Everyone’s story is unique, with chapters waiting to be mined like precious metals. When I was told there were recorded stories from former slaves, I knew I had struck gold. My longtime interest in history, especially Black History found a new outlet and I dug into the transcripts. Most of my short stories are based on the emotional accounts of slipping slavery’s grasp, hiding in treacherous places, then bolting into freedom or for some, enduring until freedom marched to them.

The textile panels add a visual layer to the narratives. A particular scene from a narrative is imprinted in my mind. Then, with fabric and thread, I piece together with concentrated abandon what could have taken place.

Charles Gilbert — 1854

35″ L x 32″ W

Charles Gilbert made a 160-mile journey, escaping on foot. He arrived in his old hometown, Old Point Comfort, VA, but missed the ship north. A true test of his tenacity began. In three months, Charles created a twisted trail of hiding, moving from place to place. He hid in a marsh, a thicket, and under the floorboards of a house (two times). He ate from the slop bin of the hotel and twice mimicked barking like a mad dog, to frighten people from his hiding place.

Trackers, attracted by the $500 bounty, harassed his mother, a free woman, and watched her every move. She claimed ignorance of his whereabouts. Assisting a runaway would mean death or jail for her or her other sons. When she could no longer handle Charles’ perilous roundabouts, she provided the needed money.

Relieved, Charles’ last stop was the wash house. The police were tipped off and rushed the house. Charles within seconds hid upstairs. While police questioned the wash woman, Charles came downstairs disguised as a woman. The police questioned him and miraculously let him go.

Once aboard ship he discovered instead of heading to Boston, its route skimmed along the Virginia coast. Charles spent another four weeks stowed away before he finally made it North. He passed the test.

Sarah Taylor 1807 – 1872

Contemplation in the Flint Hills

Council Grove, KS

34.5″ L x 44″ W

Sarah was a slave and “partner” of Seth M. Hays, the founder of Council Grove. As a slave, documentation of her life is sparse. Seth and Sarah moved from the slave state of MO in 1847 to KS territory. She worked alongside Seth in his many business endeavors. When KS became a free state, she “chose” to stay with Seth as a free woman. Later in life when Seth adopted a baby, he and Sarah raised the baby together until she became ill. When Sarah passed away, Seth insisted she be buried in his family plot instead of the black section of the cemetery. He was buried near her a year later. Hays House Restaurant and their private residence still stand.

The Exchange — 1855-1860?

49.5″ W X 31″ L

Ten runaways were stranded in the thick forests of Kentucky, their guide, dead. They huddled twenty miles from the Ohio River that would take them to freedom.

A free-black volunteered to slip across the Ohio and guide them back across. Armed with pistol, knife, and grit, he demanded they “go and keep going,” or he would “end it” right there. The group included a young couple who desired their unborn child to live free.

The eleven survived the forest and rejoiced to hear the river’s rushing water. Their rejoicing was short-lived. Trackers spotted them. The eleven ran a panicked race down the riverbank, then beat the brush for a boat and oars. They crammed inside the small craft which groaned from the excess weight. They pushed off. A shriek from the young mother pierced the air. All eyes shifted. Two men stood helpless on the bank. One was her husband. The trackers closed in. In a spontaneous act of gallantry, a young man jumped from the boat, calling the husband to come take his place. Stunned silence fell upon those who watched this sacrificial exchange.

“Greater love has no man, than he lay down his life for a friend.”

Ties that Bind – Emma Brown – 1855

31.5″ W x 15″ L

Mary Epps left slavery behind. Mary also left fifteen children. Only one was alive that she knew of. The others were dead or their fate unknown because they were sold. Four children were auctioned away. That trauma caused Mary to convulse and go mute for more than a month. Her husband committed to “get her to freedom.” He worked extra, hid the money, and paid for her escape.

Secreted aboard a boat, then guided by the Underground Railroad, Mary arrived in Pennsylvania. She chose Emma Brown as her new name. Though free, Emma was bound to her children by love, loss, trauma, and the unknown. She clung to a thread of hope for the escape of her husband and remaining son. Mary prayed they could be reunited and finally experience life as a family.

Betsey Stockton

17″ L x 12 1/2″ W

A slave in her youth to the President of Princeton College. She was granted her freedom then used her keen intellect to educate others. Betsey became the first single, female African American missionary to Hawaii. Over her forty year career she established schools in Hawaii,  with Native Americans in Canada, and African-Americans in Philadelphia.

 

Robert Brown

24″L x 21 1/2″ W

On Christmas night 1856, Robert escaped on horseback across the freezing Potomac River. He left behind his imprisoned wife and four children who were destined to be sold the next day. Upon his arrival in Philadelphia, he revealed the gifts his wife had packaged for him; her daguerreotype likeness and locks of hair from her and the children. These were all he would hold of his family this side of eternity.

Sidney “Charity” Still 

23 1/2″ L x 18″ W

A runaway slave-mother left two young sons in bondage. She persisted in prayer for years over her boys. Forty years later, one son came through the doors of her youngest child, William Still, a conductor on the Underground Railroad. They met “by chance.”  Peter was reunited with his parents. A mother’s prayers were answered.

A Three-Fold Cord 

24 1/2″ L x 17″W

Two runaway slaves were imprisoned but escaped into the deep woods. A third slave discovered them and helped with provisions. The three formed a tight bond and eventually fled for freedom together.

Arnold Gragston

28 1/2 ” L x 24 3/4/” W

Arnold, a nineteen-year-old slave, took the challenge to row a young slave girl across the Ohio River to freedom. This ignited his four-year journey to help over two-hundred slaves escape by this route. After being discovered, he and his young wife eventually rowed to freedom as well.

 

Clarissa Davis 1854

15 1/2″ L x 14″ W

Escaped with her brothers but was separated from them and ended up seventy-five days in hiding. She prayed for a heavy rain to shield her way to a ship sailing north. At three AM on the 75th day her prayer was answered with torrential showers. She boarded a ship and was united with her brothers in freedom’s land.

 

Day After Day

This tri-panel textile art work is on display with the Carroll Harris-Simms Competition Exhibition
from December 17 – May 10, at the African American Museum of Dallas.

$2000 / Set

(A) Day after day, lye mixes with boiling water. If only it could whiten the blots of suffering from her mind. Lives come and go. Babies swing. Children play. Parents labor. Who will find freedom’s release, like these vapors in the wind?

18″ X 18″

(B) Day after day, children tend babies and shout out to mamas in the fields. In ten more years: one girl is dead, one twin is left, and two boys are fieldhands. In fifteen more years: one boy escapes and two girls become mama’s to pale-skinned babies.

18″ X 25″

(C) Day after day, fingers bleed but will toughen against the unmerciful hulls. They fill baskets with daily quotas but fill their hearts with the hope of something better, if not in this life, then heaven. Thanking Jesus, this life is but a vapor.

18″ X19″

In February 2020 seven of my textile works were selected for display at the George W. Bush Presidential Library and Museum’s  5th Annual Celebration of Black History Month.